In case you weren't otherwise convinced of the hugeness of the September 9th The Beatles: Rock Band release, that date now also marks the re-release of the band's catalog, digitally remastered for the first time. Each of the 12 original records will be bundled with a mini-documentary.
Also released alongside the game: Two new Beatles collections, and, if you want your significant other to really resent you, a 10-CD collection of Beatles recordings in mono -- perfect for snobs, people with one ear, and one-eared snobs.
Reader Comments (33)
Posted: Apr 8th 2009 10:05AM KaneRobot said
It's the collection Splinter has been waiting for.
"Now I finish...what I began with your EAR!!"
"Now I finish...what I began with your EAR!!"
Posted: Apr 8th 2009 12:24PM The Wicker Man said
booyah! I wasn't that interested at first. Thought the music would be too much with too little variation...aww who am i kidding! I think im going for it!
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Posted: Apr 8th 2009 10:11AM (Unverified) said
Mono?
Huh, what? Am i missing something here? Did stereo not exist in the olden days?
Huh, what? Am i missing something here? Did stereo not exist in the olden days?
Posted: Apr 8th 2009 10:18AM (Unverified) said
Their first few albums have only been continually mastered and released in mono because EMI has insisted since the early 60's that the majority of sound system owners only had set ups capable of mono sound at the time that those albums were released.
Some purists still say that those albums are only properly heard and mono and that two track stereo versions of those songs aren't what The Beatles and George Martin ever intended. If you listen to those songs on the earlier masters (The 1 album being a good example), the stereo does sound pretty forced with instruments on one side and vocals on another.
It just comes down to personal preference really. Personally, I don't really care for the stereo versions of those early songs. It's not that big of a deal, but there are audiophiles out there who are pretty passionate about this topic.
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Some purists still say that those albums are only properly heard and mono and that two track stereo versions of those songs aren't what The Beatles and George Martin ever intended. If you listen to those songs on the earlier masters (The 1 album being a good example), the stereo does sound pretty forced with instruments on one side and vocals on another.
It just comes down to personal preference really. Personally, I don't really care for the stereo versions of those early songs. It's not that big of a deal, but there are audiophiles out there who are pretty passionate about this topic.
Posted: Apr 8th 2009 11:58AM Courtney said
Don't most stereos have the ability to force mono anyway? Do you really need the recording in mono?
I'm not a crazy audiophile, so maybe I just don't know if there would be a difference in having the recording in mono versus using a stereo to force it into mono.
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I'm not a crazy audiophile, so maybe I just don't know if there would be a difference in having the recording in mono versus using a stereo to force it into mono.
Posted: Apr 8th 2009 12:39PM busydoinnothin said
I'm no professional, but I do have experience in audio recording and understand a decent bit about that time period and recording techniques (due to my love for Brian Wilson), so this is my theory:
The mixes would still be different in a stereo-forced-mono versus pure mono, even though the audio is essentially mono. When mixed in mono, the engineer has a somewhat limited audio space to fit all the different sounds (drums, guitar, bass, vocals), so he has to mix it a certain way if the end result is to be mono. The way he EQ's the instruments (increasing/decreasing highs, mids, and lows) would likely be different too, again, due to the audio space.
In a stereo mix, you have a larger audio space to fit all the different sounds. You could pan guitar slightly left, boost it a little, pan bass to the left, vocals center, etc.
Brian Wilson (of the Beach Boys) preferred recording and mixing in mono for two reasons: one, he became slightly deaf in one ear, and two, because he felt that he had more control over the sound. In a mono mix, no matter where you sit, you get the same audio picture, the same experience, because everything is in a single channel. Fewer factors affect the overall sound (speaker quality, room, stuff like that, would still matter). In stereo, you can get a different listening experience depending on the position of the speakers, whether you're using headphones or not, etc. He didn't want those factors affecting the listening experience.
A great example of this is Pet Sounds (the greatest album ever IMO). If you buy the CD these days, you get a stereo remaster and mono mix on a single CD. Listen to mono versus stereo. You'll hear things in the mono mix that you wouldn't hear in the stereo, and vice versa.
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The mixes would still be different in a stereo-forced-mono versus pure mono, even though the audio is essentially mono. When mixed in mono, the engineer has a somewhat limited audio space to fit all the different sounds (drums, guitar, bass, vocals), so he has to mix it a certain way if the end result is to be mono. The way he EQ's the instruments (increasing/decreasing highs, mids, and lows) would likely be different too, again, due to the audio space.
In a stereo mix, you have a larger audio space to fit all the different sounds. You could pan guitar slightly left, boost it a little, pan bass to the left, vocals center, etc.
Brian Wilson (of the Beach Boys) preferred recording and mixing in mono for two reasons: one, he became slightly deaf in one ear, and two, because he felt that he had more control over the sound. In a mono mix, no matter where you sit, you get the same audio picture, the same experience, because everything is in a single channel. Fewer factors affect the overall sound (speaker quality, room, stuff like that, would still matter). In stereo, you can get a different listening experience depending on the position of the speakers, whether you're using headphones or not, etc. He didn't want those factors affecting the listening experience.
A great example of this is Pet Sounds (the greatest album ever IMO). If you buy the CD these days, you get a stereo remaster and mono mix on a single CD. Listen to mono versus stereo. You'll hear things in the mono mix that you wouldn't hear in the stereo, and vice versa.
Posted: Apr 8th 2009 10:14AM Obienator said
I might be wrong, but are the Beatles' songs not available online anywhere?
Posted: Apr 8th 2009 1:10PM daytripper said
If you mean torrets just check demonoid, but if you mean for legal purchase then i don't think they are.
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Posted: Apr 8th 2009 10:29AM (Unverified) said
Keep milkin' it Paul..keep milkin' it
Posted: Apr 8th 2009 10:33AM (Unverified) said
Actually, Paul doesn't own the Beatles catalog. IIRC, Michael Jackson does.
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Posted: Apr 8th 2009 10:36AM (Unverified) said
I thought MJ sold back his share? Could be wrong. Anyways I'll be buying this game, thus purchasing I am the walrus for the 10th time.
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Posted: Apr 8th 2009 4:01PM Monkeydog said
Actually MJ only owns like half of the rights to the McCartney/Lennon songs. Sony owns the other half.
All of the Harrison songs are owned by Dhani and Olivia, and the like 3 Ringo songs are owned by Ringo.
And regardless of who owns them, Macca, Starr, Olivia, and Yoko own the creative control over all of the songs.
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All of the Harrison songs are owned by Dhani and Olivia, and the like 3 Ringo songs are owned by Ringo.
And regardless of who owns them, Macca, Starr, Olivia, and Yoko own the creative control over all of the songs.
Posted: Apr 8th 2009 4:15PM ripvanwinkle said
I'm pretty sure Michael Jackson no longer has any share in the Beatles catalogue whatsoever.
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Posted: Apr 8th 2009 10:36AM Jerk Face said
Man, I bet that boxed, remastered collection is going to cost one hojillion dollars!
Posted: Apr 8th 2009 10:55AM UK31337 said
Dhani Harrison said that the game will come with new stuff nobody has ever heard before.
I do hope this isn't what he meant, and what he actually meant was there was new unreleased stuff included in the game itself.
Carnival of Light, time to put in an appearance methinks.
I do hope this isn't what he meant, and what he actually meant was there was new unreleased stuff included in the game itself.
Carnival of Light, time to put in an appearance methinks.
Posted: Apr 8th 2009 11:00AM MadMup said
"Looks like I'm going to have to buy the White Album again."
/Men In Black
/Men In Black
Posted: Apr 8th 2009 11:06AM Ninbrendo said
More like re-re-re-released.
Posted: Apr 8th 2009 11:22AM (Unverified) said
Let no one forget that Michael Jackson will be making huge amounts of money off this, seeing as he actually owns the rights to most of the Beatles songs.
Posted: Apr 8th 2009 3:38PM (Unverified) said
No, Michael Jackson does not own the rights to the Beatles' songs. In fact, he never really did. He just owned the publishing rights, which meant that he had the right to make a profit every time a Beatles song was used. This is what Jackson acquired back in the mid 80s, the Beatles' Apple Records still retained the rights to all the the original recordings. Because of debt problems, Jackson sold half his share of the publishing rights to Sony and and then gave up the rest of the rights a year or two ago b/c he defaulted on certain payments.
So it would be correct to say that Sony and Apple Records will make a ton of money off of this.
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So it would be correct to say that Sony and Apple Records will make a ton of money off of this.
Posted: Apr 8th 2009 1:20PM JoshMilewski said
FUCK!
"Digitally remastered" usually means "turn the volume so fucking high and kill any range the original recording had so all the kids of today who listen to their shitty pop music can relate to this old shit holy crap this pisses me off unless they did it right but when was the last time that happened!"
"Digitally remastered" usually means "turn the volume so fucking high and kill any range the original recording had so all the kids of today who listen to their shitty pop music can relate to this old shit holy crap this pisses me off unless they did it right but when was the last time that happened!"
Posted: Apr 8th 2009 1:50PM MrHashbrown said
Digitally remastered actually fits on the back of the disc cover, so I guess it's more convenient.
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Posted: Apr 8th 2009 4:26PM ripvanwinkle said
Somehow I doubt that Apple Records is going to let that happen, although what you describe happens in most cases. My old unmastered Jethro Tull CD sound so much better than all my remastered stuff, even though they are a lot quieter.
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Posted: Apr 8th 2009 4:03PM Mr Itcher said
It would be cool if they would finally bump the bass up to a more reasonable level. I think people would have a lot more respect for Ringo if the drums were a little punchier. (it could be that his setup was just not very bassy though, not completely sure)
Posted: Apr 9th 2009 8:20AM (Unverified) said
I can't wait for the dance remix album.







