When we recently had the opportunity to play EA's version of Army of Two: The 40th Day for PSP, we went into it with the realistic expectation that it would be the console game pared down to accommodate the portable's controls and capabilities. What we quickly found was a game designed specifically for PSP that conjures memories of top-down arcade shooters such as Mercs and Ikari Warriors.
It's very much an arcade game, with its own unique art style and controls, but it still sticks to the console game's plot -- and employs its unique Aggro mechanic with some nice results.
It's very much an arcade game, with its own unique art style and controls, but it still sticks to the console game's plot -- and employs its unique Aggro mechanic with some nice results.
The controls were dead simple: Move with the analog stick, shoot in eight directions using a combination of the four face buttons. (Yes, it's a dual stick shooter, more or less.) It's also possible to crouch and roll (handy for ducking and evading enemy fire) and make use of the copious amount of cover the stages offer. As in the console game, players can issue commands to their partner to advance, stay put, get aggressive or get sneaky.
The command system worked, but given the rapid arcade-style pacing of the action it was sometimes hard to even remember (or want to use) the orders to any degree. As we carved a path toward the zoo, wave upon wave of 40th Day soldiers came at us -- most simply shooting, others manning turrets and a few heavies that required some strategy to bring down.
This is where those buddy commands actually worked quite well. Faced with a flame thrower heavy, we told our AI amigo to go on the offensive, which raised his Aggro meter and made us virtually invisible to the enemy, who we were able to flank and shoot his tanks until he exploded. The tactic also worked well against enemies on turrets and yetis. (OK, so we made that last one up.)
We collected a lot of money pick-ups along the way, which will be used to buy things from weapons dealers in the final game. There are also temporary power-ups that increase the killing power of current weapons, for example.
Our time with the game was limited to a rather small section of one level, but it was still enough to make us fans of the unique art direction and use of the Aggro mechanic in a game of this type. We're hoping the final version offers up more variety in its stages, though, especially plenty of larger setpiece events / encounters -- like the airliner that crashed right in front of us -- to keep things exciting.
