And it's because they aren't just bleeps and bloops any more. A member of the award committee says that the music in video games has "matured beyond recognition," and that composing music for games pulls some muscles that most composers don't have, like "non-linear and multi-layered composition." No word on the nominees yet, but keep in mind, any game you nominate needs to have at least 1/3 of the composers be British or Irish, according to the Ivor rules. For instance, the music for Flower was great, but unless there's a hidden "O'" in front of Vincent Diamante's last name, you probably won't see it win.
