Uwe Boll. It's a name that strikes fear and anger into the hearts of at least 248,969 gamers worldwide. Through his continued efforts in bringing critically bashed adaptations of video games to our attentions, he's earned an online reputation that's only rivaled in the community by the likes of Jack Thompson.

To be honest, I didn't know what to expect when I was invited to an early screening of Uwe Boll's latest film, Postal. Perhaps I'm in the minority, but I have never experienced an Uwe Boll film. Perhaps it's because Boll has never touched any of my most beloved game franchises. Looking at his past films, it appears he hasn't made as many films to justify the fervor that surrounds him. Is anyone really angry that the House of the Dead film wasn't A-grade cinematic material? Is the film somehow a disgrace to the game's "legacy?" Doubtful. Are people really up-in-arms over how he "ruined" BloodRayne, or Alone in the Dark?

Postal is also an interesting choice for the German director. Very few have actually played the game (neither have I) -- but those that have don't really like it. Even if the film amounted to a terrible disaster, it wouldn't disgrace the game, or the "genre" of the video game film (if such a thing should be considered). With all of this in mind, the curtains opened and Uwe Boll's Postal screening started.